Tracey Snelling

TRACEY SNELLING

SOLO EXHIBITIONS AND INSTALLATIONS

2020 Underground City, Galeria Giampaolo Abbondio, Milan, Italy.
I can’t forget you, Cokkie Snoei, Rotterdam, The Netherlands.
The Architect, pop-up, H27, Berlin, Germany.
2019 RE:Search:Gallery, with the Frank Mohr Institute, Groningen, The Netherlands.
Clusterfuck 9, San Jose Institute of Contemporary Art, San Jose, California.
58. Venice Biennale, Shanghai/Chongqing Hot Pot/Mixtape, in collaboration with Swatch, Arsenale, Venice, Italy.
Metropolis, Studio la Città, Verona, Italy.
2018 Asphalt Jungle, Jules Maeght Gallery, San Francisco, California.
Then We Take Berlin, Krupic Kersing Galerie, Cologne, Germany.
First We Take Manhattan, Künstlerhaus Bethanien, Berlin, Germany.
2017 Film screening, Ausland, Berlin, Germany.
Here and There, University of Michigan, Institute for the Humanities, Ann Arbor, Michigan.
2016 One Thousand Shacks, Urban Institute of Contemporary Arts, Grand Rapids,
Michigan.       
SFAC Kiosk Poster Series, temporary public project, San Francisco, California.
The Naked City, Krupic Kersting Galerie, Cologne, Germany.
Clusterfuck 3, New Image Art, Los Angeles, California.
2015 The Stranger--screening, Architecture Film Festival Lisbon, Lisbon, Portugal; The
Luggage Store Gallery, San Francisco; Jules Maeght Gallery, San Francisco, CA.
2014 Krupic Kersting Galerie, Cologne, Germany.
2013 Nothing short film, AC Institute, New York, NY.
Everything is Everything, Aeroplastics Contemporary, Brussels, Belgium.
Mystery Hour, Rena Bransten Gallery, San Francisco, CA.
Nothing short film, Circuito Off, Teatrino Palazzo Grassi, Venice, Italy.
Nothing short film, Crocker Art Museum, Sacramento, CA.
2012 Nothing short film, TinT Gallery, in conjunction with the Thessaloniki International Film Festival, Thessaloniki, Greece.
Nothing short film, Oakland Underground Film Festival, Oakland, CA.
Nothing short film, Naperville Independent Film Festival, Naperville, IL.
Woman on the Run, Virginia MOCA, Virginia Beach, Virginia.
Another Day in Paradise, Nothing short film, Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania.
Nothing short film, San Francisco International Film Festival, San Francisco, CA.
Woman on the Run, SECCA, Winston Salem, North Carolina.
2011 Woman on the Run, Frist Museum, Nashville, Tennessee.
Raging Lotus, Exploratorium, San Francisco, California.
A Sort of Homecoming, L.H.Horton Gallery, San Joaquin Delta College, Stockton, CA.
2010 Ten-Year Survey, Rena Bransten Gallery, San Francisco, CA.
Woman on the Run, 21C Museum, Louisville, Kentucky.
Shanghai Zendai MOMA, Zhujiajiao, China.
Bordertown, New Frontier on Main, Sundance Film Festival, Park City, Utah.
Bordertown, Oakland Underground Film Festival, Oakland, CA.
2009 Woman on the Run, Smack Mellon, Brooklyn, New York.
Greta Garbo Slept Here, Tache-Levy, Brussels, Belgium.
Dirty Pretty Things, Cokkie Snoei, Amsterdam and Rotterdam, the Netherlands.
Where Mr. Wong Sent Me, Galerie Urs Meile, Beijing, China.
2008 Pan American Art Projects, Miami, Florida.
Another Town, Wedel, London.
Woman on the Run, Selfridges, London.
2007 Another Shocking Psychological Thriller, Houston Center for Photography, Houston, Texas.
Monsters, Tache-Levy, Martin Margiela Building, Brussels, Belgium.
Dulces, Wedel, London.
2006 Dark Detour, de Saisset Museum, Santa Clara, California.
2005 The Comfort, the Beauty, the Shame, Lokaal 01, Breda, Netherlands.
Convenient, SF Camerawork, San Francisco, California.
South Side, Mission 17 Gallery, San Francisco, California.
2004 Last Picture Show, Stephen Cohen Gallery, Los Angeles, California.
2003 Sculpture/Structure, Museum of Art and History, Santa Cruz, California.
Sculpture and Photographs, Sala Diaz, San Antonio, Texas.
...A Room for the Night (Dwellings), Night Moves, San Jose Institute of Contemporary Art, San Jose, California.
2000 Dwellings, Bucheon Gallery, San Francisco, California.

SELECTED GROUP EXHIBITIONS

2019 Self-immersed, Joseloff Gallery, Hartford Art School, University of Hartford,   Hartford, Connecticut.
13. Biennale Havanna, Matanzas, Cuba.
Eros, Fox Jensen, Sydney, Australia, Auckland, New Zealand.
30 Years of Dutch Courage, Cokkie Snoei, Rotterdam, Netherlands.
à la prochaine, Jules Maeght Gallery, San Francisco, California.
2018 Zombies: Pay Attention! Aspen Art Museum, Aspen, Colorado.
No Place Like Home, Studio la Città, Verona, Italy.
Exhibition 5, Kunsthaus Kollitsch, Klagenfurt, Austria.
Is It a Game? collaborative installation, Kreuzberg Pavillon, Berlin, Germany.
Il Terzo Giorno, Palazzo del Governatore, Parma, Italy.
bitch MATERial, Kunstquartier Bethanien, Berlin, Germany.
2017 She-Devil 9: Today, Studio Stefania Miscetti, Rome, Italy.
Collection Jacques & Miny Defauves, Bonnefantenmuseum, Maastricht, the
Netherlands.
Typically Frankfurt!, 10 year installation, Historisches Museum Frankfurt, Frankfurt,          
Germany.
Artist as Maggid: Jewish Tales and Creatures, The Contemporary Jewish Museum, San Francisco, California.
OFF-SPRING: New Generations, 21c Museum, Oklahoma City, Oklahoma.
Lil SWIM, The Luggage Store Gallery, San Francisco, California.
Turn the Page: The First Ten Years of Hi-Fructose, Akron Art Museum, Akron, Ohio, Virginia MOCA, Virginia Beach, VA.
2016 2050: A Brief History of the Future, Palazzo Reale, Milan, Italy.
Forever, Bubox Art Space, Kortrijk , Belgium.
2015 2050: A Brief History of the Future, Royal Museum of Fine Arts Brussels, Belgium.
Dark Ages, Aeroplastics Contemporary, Brussels, Belgium.
Moving Objects, Krupic Kersting, Cologne, Germany.
Imagining Home, Baltimore Museum of Art, Baltimore, Maryland
Krachtwerken, Gemeentemuseum Helmond, Helmond, Netherlands.
Triennale Brugge 2015, Brussels, Belgium. 
The Art in Literature and Literature in Art, Artium, Basque Centre-Museum of Contemporary Art, Vitoria-Gasteiz, Spain.
The Auction, Terrance Higgins Trust, Christie's, London, UK.
Feel Big, Live Small, Apex Art, New York, NY.
2014 Art in Motion, Jules Maeght Gallery, curated by Natasha Boas, San Francisco, CA.
The Remarkable Lightness of Being, Aeroplastics Contemporary, Brussels, Belgium.
L’expo dans le chapeau, La Vitrine am, curated by Raphael Cuir, Paris, France.
ArtPrize, GRCC Collins Art Gallery, Grand Rapids, Michigan.
On Dry Land, Negev Museum, curated by Ravit Harari, Be-er Sheva, Israel.
Brussels Cologne Contemporaries, Cologne, Germany.

Home: Shelter and Habitat in Contemporary Art, Schneider Museum of Art, Ashland, OR.
2013 drinnen binnen buiten draussen, Galerie Roy, Zülpich, Germany.
drinnen binnen buiten draussen, Kers Gallery, Amsterdam, the Netherlands.
Making Space: Art and Place, Euphrat Museum, Cupertino, CA.
Home: Shelter and Habitat in Contemporary Art, Bedford Gallery, Walnut Creek, CA.
The Storytellers, El Museo de Arte de Banco de la Rupublica, Bogota, Colombia.
Once More, Lokaal 01, Breda, the Netherlands.
Parallax Views, San Jose Institute of Contemporary Art, San Jose, CA.
As Tears Go By* (who cries with me?), Cokki Snoei, Rotterdam, the Netherlands.
Theatrical Gestures, Herzliya Museum for Contemporary Art, Herzliya, Israel.
Raw China Art Expo, Rotterdam, the Netherlands.
2012 Not Another End of the World Exhibition, Aeroplastics Contemporary, Brussels, Belgium.
Nervous Women, Museum Dr. Guislain, Ghent, Belgium.
Otherworldly: Artist Dioramas and Small Spectacles, Lille 3000, Lille, France.
Signature , Schriftuur, Bruges Cultural Centre, De Bond , Bruges, Belgium.
The Storytellers, Stenersen Museum, Oslo, Norway.
The End of Everything/A New Beginning, LARMgalleri, Copenhagen, Denmark.
Brought to Light: Masterworks of Photography from the Crocker Art Museum, Crocker Art Museum, Sacramento, CA.
America Rules, West Collection, Oaks, Pennsylvania.
Streetopia, Luggage Store Gallery, San Francisco, CA.
Chico and Chang, San Jose Institute of Contemporary Art, San Jose, CA.
The Bridge, Rena Bransten Gallery, San Francisco, California.
Fireflies,Aeroplastics, Brussels, Belgium.
Urbanitas, Pan American Art, Miami, Florida.
2011 Otherworldly: Artist Dioramas and Small Spectacles, Museum of Art and Design New York, New York.
Reconstructed World, Gatehouse Gallery, Di Rosa, Napa, California.
Chico and Chang, Intersection for the Arts, San Francisco, California.
Staging Space, Y2Y Gallery, San Francisco, California.
Anonyme Skulpturen, Galerie im Taxispalais, Innsbruck, Austria.
2010 Anonyme Skulpturen, Kunstmuseen Krefeld, Krefeld, Germany.
Accrochage,Galerie Urs Meile, Beijing, China.
Cokkie Snoei, Amsterdam, the Netherlands.
Don't Call Me Pretty, Pan American Art Projects, Miami, Florida.
The House in My Head, Kunsthallen Brandts, Odense, Denmark.
Pop-Up Magazine, Herbst Theater, San Francisco, California.
2009 Narratives, Pan American Art Projects, Miami, Florida.
That's All Folks!, curated by Michel Dewilde and Jerome Jacobs, Stadshallen , Bruges , Belgium.
Achtung Baby, Gemeentemuseum Helmond, Helmond, the Netherlands.
Low Blow,Stux Gallery, New York, New York.
2008 Road Trip, San Jose Museum of Art, San Jose, California.
The Art of Diorama, Bedford Gallery, Walnut Creek, California.
Places in Between, Diablo Valley College Art Gallery, Pleasant Hill, California.
2007 There's No Place Like Here, University Art Gallery, Sonoma State University, Rohnert Park, California.
XXS-Size Does Matter, Sommer Gallery, Tel Aviv, Israel.
Paulo Post Futurum, Lokaal 01, Museum of Breda, Breda, the Netherlands.
Emergent Behavior, Martin Art Gallery, Muhlenberg College, Allentown, Pennsylvania.
Brown Bag Contemporary, New York.
Emergency Room, P.S.1 MOMA, Long Island City, New York.
Regeneration, Kentler International Drawing Space; Smack Mellon, Brooklyn, New York.
Greetings from the American Dream, Riverside Art Museum, Riverside, California.
2006 Searchers, White Box, New York, New York.
Fellowship Exhibition, Kala Art Institute, Berkeley, California.
New Code, Studio La Citta, Verona, Italy.
Looking Through Walls, Crocker Art Museum, Sacramento, California.
Photosynkyria, Tint Gallery, Thessaloniki, Greece.
Headlands Institute, Marin Headlands, California.
2005 Cohen Amador Gallery, New York, New York.
Regeneration, Douglass College, Rutgers University, New Brunswick, New Jersey.
Blueprints, Intersection for the Arts, San Francisco, California.
2004 Epic, Southern Exposure, San Francisco, California.
Domicile, Center on Contemporary Art, Seattle, Washington.
2003 Landing, Southern Exposure, San Francisco, California.
Introductions, San Jose Institute of Contemporary Art, San Jose, California.
Cut, Copy, and Paste, The Art of Contemporary Collage, De Saisset Museum, Santa Clara, California.
2002 New Acquisitions 2002, Microsoft Art Collection, Microsoft, Redmond, Washington.

PUBLICATIONS

 

Michiel Teeuw, “Clusterfuck, memes en kleurexplosies: Tracey Snelling en Dragan
Glamo?i? in NP3”, Kunstspot.nl, November 16, 2019.
“XIII Bienal de la Habana,” Art Nexus #113, September 2019.
Edalatpour, Jeffrey, “Seeing Red: The American Psyche is laid bare in the SJICA's new exhibit, 'Clusterf*ck',” Metro Active, August 7, 2019.
Conrad Murray, Derek, “Tracey Snelling@SJICA,” Square Cylinder, July 18, 2019.
Reinhold, Elke, “Why Swatch Goes Through as a Country,” Die Welt, July 2, 2019.
Steer, Emily, “Swatch Hits a Decidedly Upbeat Note at the Venice Biennale,” Elephant, June 15, 2019.
Tagariello, Maria Luisa, “Swatch alla Biennale Arte 2019. Un orologio ci salverà?” Vanity Fair Italia, May 13, 2019.
Pacciardi, Giulia, “Swatch Loves Art and Returns to the Venice Biennale for the Fifth Time,” Collater.al, May 13, 2019.
Fallea, Sabrina, “Swatch loves art e la 58esima Biennale di Venezia,” Vogue Italia, May 14, 2019.
Ugo Baudino, Chiara, “Siamo stati nella Shanghai 3D di Tracey Snelling alla Biennale di Venezia,” Marie Claire, May 13, 2019.
Pappagallo, Camilla, “Il monde come condominio polifonico,” Juliet Contemporary Art Magazine,
March 22, 2019.
Bianchera, Jessica, “No Place Like Home,” Exibart, January 16, 2019.
Testino, Arianna, “Un posto chiamato casa. Otto artisti a Verona,” Artribune, January 10, 2019.
Cohen, Alina, “These Artists Draw Inspiration from Vampires, Zombies, and the Supernatural,” Artsy.net, January 8, 2019.
Saenger, Peter, “Inspired by Zombies,” Wall Street Journal, December 21, 2018.
Schulte-Fischedick, Valeria, “Tracey Snelling,” BE #25, Künstlerhaus Bethanien, August 1, 2018.
Iceview Volume 3, July 2018.
“Asphalt Jungle,” Wall Street International, May 8, 2018.
Boas, Natasha, “(Re)Assembling with Tracey Snelling, First We Take Manhattan catalogue, Künstlerhaus Bethanien, 2018.
Tannert, Christoph, “Buildings as Sculpture: Replicated, Reproduced, Exaggerated, Interrogated, Interpreted,” First We Take Manhattan catalogue, Künstlerhaus Bethanien, 2018.
“Il Terzo Giorno: a Parma la mostra che sostiene l’ambiente,” Parma Repubblica, March 15, 2018.
Cordray, Julianne, “Tracey Snelling at Künstlerhaus Bethanien,” BPigs, Feb 11, 2018.
Bers, Miriam, “Art Night with Tracey Snelling,” GoArt! Berlin, February 13, 2018.
Kohl, Philipp, “Künstlerin zeigt ihre Schmuddel-Vision vom Leben am Berliner Kotti,” BZ, January  24, 2018.
Vernissage TV, “Tracey Snelling: First we take Manhattan / Künstlerhaus Bethanien, Berlin,” video story, February 7, 2018.
“Kunst am Puls der Zeit im ‘Kunsthaus Kollitsch’,” Kleine Zeitung, November 6, 2017.
Taiuti, Lorenzo, “She Devil. Artiste e video a Roma,” Artribune, November 4, 2017.
Rainer H. Schlender, “Ein Museum für morgen,” Frankfurt Allgemeine Zeitung, October 5, 2017.
 “Frankfurts Stadtmuseum mit neuem Konzept,” Berliner Zeitung, October 4, 2017.
Kimpel, Katrin, “Neues Historisches Museum FrankfurtStadtgeschichte ohne Staub, aber mit Schneekugel,” Hessenschau, October 8, 2017.
“Stadt Geschichten,” Journal Frankfurt, September 22 - October 5, 2017.
Stillbauer, Thomas, “Ist Frankfurt eine kriminelle Stadt?” Frankfurter Rundschau, August 30, 2017.
Rose Sharp, Sarah, “Miniature Dioramas That Contain the Chaos of the World,” Hyperallergic, April 13, 2017.
Frye, Isabel, “Artist Tracey Snelling opens up the life behind windows,” The Michigan   Daily, March 19, 2017.
“ArtPrize artist investigates world’s poor, social issues, strength,” Cultured.GR, September 23, 2016.
Vernissage TV, “Tracey Snelling: The Naked City at Krupic Kersting Galerie, Cologne,” September 19, 2016.
Kobel, Stefan, “Sympathetically ambitious - DC Open Part 1: Cologne.” Artmagazine, September 9, 2017.
Kohlick, Anne, “Jenseits des Puppenhauses,” Monopol, September 2016.
“Wohin am Wochenende?” Monopol, September 2, 2016.
Valerio, Marco, “La Breve storia del futuro in mostra a Palazzo Reale,” Milano Weekend, March 22, 2016.
Masoero, Ada, “Breve storia del futuro. In 50 opere,” ilgiornaledellarte.com, March 24, 2016.
Hestetika, Redazione, “2050: breve storia del futuro,” Hestetika Magazine, March 23, 2016.
Michals, Susan, “The Best Art to See in L.A. This January,” Huffington Post, January 7, 2016.
Tandy, Katie, “Voyeuristic Artist Tracey Snelling Reminds Us to Look Closer,” The Establishment, November 11. 2015.
Caro, “Tracey Snelling’s Latest Sculptural Installation Addresses Poverty,” Hi-Fructose, November 11, 2015.
“One Thousand Shacks, “ Univision, Spring 2015.
Rutigliano, Dario, Wilson, Katherine C., “Tracey Snelling,” Art Habens, spring 2015.
McManus, Austin, “Tracey Snelling,” Juxtapoz, June 2015.
Sutton, Benjamin, “In an Exhibition of Miniatures, the Good, the Bad, and the Lego,” Hyperallergic, April 6, 2015.
Voynovskaya, Nastia, “Tracey Snelling,” Hi-Fructose, Volume 35.
Anderson, Michael, “Feel Big, Live Small at Apex Art,” White Hot Magazine, March 2015.
Chung, Becky, “Miniature Artists Explain Why They Love Making Tiny Worlds,” The Creators Project, VICE.com, March 19, 2015.
de Crayencour, Muriel, “Un Insoutenable Legerete,” In the Mu City, January 8, 2015.
Binlot, Ann, “What Not to Miss at Miami’s Satellite Art Fairs,” New York Times, December 4, 2014.
Palop, Benoit, “From Virtual Wallpapers to Emoji Gardens, We Explored Digital Art at Miami Art Week,” VICE.com, December 8, 2014.
Kino, Carol, “A Gallery’s Opening Movement: Jules Maeght Unveils ‘Art in Motion’,” New York Times, October 23, 2014.
Batet, Janet, “Pan American Art Projects: Bienvenidos a la jungla,” El Nuevo Herald, November 22, 2014.
“Vernisssage de L’exposition ‘Chapeaux! Hommage a Robert Filliou,” SayWho.fr, October 2, 2014
Westin, Monika, “Tracey Snelling,” Artforum, January 2014.
Frankfurter Allgemeine Zeitung, 01.18.2014.
Chun, Kimberly, “Tracey Snelling's dioramas explore threats to status quo,” San Francisco Chronicle, December 18, 2013.
WSI Administration,”Marci Washington: Sleeping Spell and Tracey Snelling: Mystery Hour,” Wall Street International, December 13, 2013

Fiers, Els, "Wang's House," Knack Focus magazine, October 9, 2013.
Steverlynck, Sam, "Les Lumieres de la Ville," Agenda Magazine, September 19, 2013.
Charlesworth, J.J., "Brussels art Days 2013," ArtReview, September 2013.
Malick, Courtney, "Everything is Everything," Tracey Snelling: Everything is Everything catalog,
Aeroplastics Contemporary, 2013.
Roldán Rueda, Natalia, "Los Habladores, la literatura interpretada por el arte," June 6, 2013.
Stark, Clinton, "Famous Horror Film Houses," Stark Insider, 03.08.2013.
Leyva-Perez, Irina, "Tracey Snelling: An Urban Narrative," Artpulse Magazine, no.4, volume 4, 2013.
Annas, Teresa, "Film noir drives 'Woman on the Run' walk-in art exhibit," Virginian-Pilot, September 18, 2012.
Wendt, Selene, "The Storytellers" catalog, with texts including Gerardo Mosquera and Mario Vargas Llosa, published by the Stenersen Museum, Oslo, 2012.
Harman, Ken, "Studio Visit with Tracey Snelling," Hi Fructose, August 8, 2012.
Auer, Theo Konrad, "DocumentO at Krowswork," Stretcher.org, August 2012.
Tani, Ellen, "Chico and Chang," Art Practical, Issue 3.18, May the Force be with You.
Green, Jordan, Multimedia Exhibit Explores Representations of Tough and Sexy Women," Yes! Weekly, March 21, 2012.
Cochran, Rebecca, "Picks: Tracey Snelling, Frist Center for Visual Art," Artforum.com, December 2011.
Jones, Kristin M., "A Small World After All," Wall Street Journal, June 9, 2011.
editior, "Tracey Snelling at Rena Bransten Gallery," Juxtapoz, January 17, 2011.
Sussman, Matt, "La Frontera," San Francisco Bay Guardian, January 18, 2011.
Op de Beeck, Hans, "Five Questions," Tracey Snelling: Ten Years catalog, Rena Bransten Gallery, 2010.
Lord, Chip, "A conversation Between Chip Lord and Traccey Snelling," Tracey Snelling: Ten Years catalog, Rena Bransten Gallery, 2010.
Incorvaia, Kirsten, "An Interview with Tracey Snelling," Hi Fructose Magazine, January 2011.
Nagele, Christina, "Tracey Snelling," Anonyme Skulpturen catalog, Galerie im Taxispalais, Innsbruck, 2010.
Mattingly, Jane, "Motel Mystery," Leo Weekly, November 3, 2010.
Green, Tyler, "Not Your Typical Fall Arts Preview," Artinfo.com, September 7, 2010.
Incorvaia, Kirsten, "Peeking in the Windows of Tracey Snelling," My Love for You is a Stampede of Horses, July 20, 2010.
Clarke, Erin, "Tracey Snelling," Artworks Magazine, Spring 2010.
Dufresne, Marie, "Tracey Snelling," The House in My Head catalog, Kunsthallen Brandts, Odense, Denmark, 2010.
Armstrong, Stephen, "Revolutionary Gaming with Infinite Possibilities," Sunday Times UK, Feb 28, 2010.
Wensink, Herien, "arm/rijk en mens/natuur domineren art rotterdam," NRC Handelsblad, Feb 4, 2010.
Kendricks, Neil, "Art World Makes a Run at Sundance Film Festival," San Diego Union Tribune, Feb 7, 2010.
Molina, Genaro, "Sundance TwentyTen," Los Angeles Times, January 23, 2010.
Smallenburg, Sandra, "Miniatuurporno in vervallen Amerika," NRC Handelsblad, April 18, 2009.
van Lier, Thomas, "Kunstenaar en fotografe Tracey Snelling over Dirty Pretty Things," HP / De Tijd, April 24, 2009.
van Put, Roos, "Cokkie Snoei opent galerie in Amsterdam," Kunstbeeld Nr 4, 2009
Kóvskaya, Maya, "Hitting Dogs with Meat Buns-Tracey Snelling at Urs Meile," Art Review, April 2009.
Cong Yun, "Tracey Snelling: Continuous Transformation of Time and Space," Photo World, April 2009.
Welton, Carissa , "Blending Inspiration," China Daily, March 7, 2009.
Wong Tai Sin, "Tracey Snelling exhibition, Galerie Urs Meile, Beijing", video, Art&Artist.cn, March 2009.
Ryan, Christine, "14 Bay Area Artists We Love Right Now - And Where to See Them," 7 x 7, November 2008.
Goldfine, Gil, "A State of Soulful Introspection," The Jerusalem Post, December 6, 2007.
Sheffi, Smadar, Haaretz, November 30, 2007.
Yahav, Galia, Time Out Tel-Aviv, November 29, 2007.
Mobley, Chuck, "Behind Closed Doors: an Interview with Tracey Snelling by Chuck Mobley," SPOT, Fall 2007.
Gehman, Geoff, "Handmade Objects Emerge into a Visual Playground," The Morning Call, April 19, 2007.
Bürklin, Heidi, "Tracey Snelling bei Amelie v. Wedel in London," Die Welt, April 14, 2007.
Finel Honigman, Ana, "Tracey Snelling Talks to Ana Finel Honigman," Saatchi Gallery website, March 27, 2007.
Suarez de Jesus, Carlos, "All Politics is Loco," Miami New Times, December 28, 2006.
Dykstra, Jean, "Indeterminate Yearning," Art on Paper, March/April 2006.
Tramposch, Emma, "San Francisco," Art Papers, November/December 2005.
Nelemans, Rebecca, "Beelden van schoonheid en schaamte," BN de Stem, September 2005.
Whiteside, Amber, "Blueprints at Intersection for the Arts," Artweek, September 2005.
Moon, Amy, "Tracey Snelling's Diorama Dramas," SFGate Culture Blog, July 7, 2005.
Ketenjian, Tania, radio interview for "Sight Unseen," KALX Berkeley, May 2005.
Helfand, Glen, "Critics' Picks," ArtForum.com, April 2005.
Mizota, Sharon, "Diorama Life," SF Weekly, April 27, 2005.
Nakamura, Marie-Pierre, Art Actuel, March/April 2005.
Bibeau, Petra, "Long Story Short: Bay Area Exposes Roots," NY Arts Magazine, March/April 2005.
Du Tan, S.A.,"New!!! Fresh!!! Hot!!!," Coagula Art Journal, #73, March 2005.
Ayers, Rhonda, "Getting the Big Picture," Rave!, January 21-27, 2005.
Buckner, Clark, "Epic," San Francisco Bay Guardian, December 8, 2004.
Whiteside, Amber, "Tracey Snelling Mixes it Up," Venice Magazine, October 2004.
Ollman, Leah, "Tracey Snelling: Last Picture Show," Los Angeles Times, September 17, 2004.
"Art Star,"Fugue Magazine, Issue #2, 2004.
Gupta, Anjali, "Lilliputian Liaisons," San Antonio Current, August 28, 2003.
Elzy, Joshua, "Tracey Snelling at Sala Diaz," VOA Magazine, Volume 11, Issue 3, 2003.
Atwell, Wendy Weil, "Tracey Snelling: Sculpture and Photographs," Art Lies, Issue 40, Fall 2003.

Collections
Marguiles Collection, Miami, Florida
Gemeentemuseum Helmond, the Netherlands
Himalayas Museum (formerly Shanghai Zendai MOMA), Shanghai, China
David Roberts Collection, London, UK
Selfridges, London, UK
Museum of Fine Arts, Houston, Texas
de Saisset Museum, Santa Clara, California
Crocker Art Museum, Sacramento, California
West Collection, Oaks, Pennsylvania
21c Museum, Louisville, Kentucky
Microsoft Art Collection, Redmond, Washington
Angel Collection of Contemporary Art, Israel
Alain Servais Collection, Brussels, Belgium
Antonio Dalle Nogare Collection, Italy
Drake collection, Wassenaar, the Netherlands
Collection Lampe and Plompen , The Hague, the Netherlands

 

AWARDS, GRANTS, FELLOWSHIPS
TOKAS Artist Residency, Tokyo, Japan, 2020.
Cite international des arts, Paris, France, 2020.
Swatch Artist Residency, Shanghai, China, 2018-2019.
Joan Mitchell Foundation residency, New Orleans, Louisiana, 2018.
Künstlerhaus Bethanien residency, Berlin, Germany, 2017-2018.
Zentrum für Kunst und Urbanistik residency, Berlin, Germany, 2017.
Institute for the Humanities Public Policy Fellowship, University of Michigan, Ann Arbor, MI, 2017.
Joan Mitchell Foundation, Painters and Sculptors Award, New York,NY, 2015
Center for Cultural Innovation, Artistic Innovation Grant, Los Angeles, CA, 2014
ArtPrize, Seed Grant for “The Stranger” film, Grand Rapids, MI, 2014
Himalayas Museum residency and exhibition, Zhujiajiao, China, 2010
Urs Meile Gallery residency and exhibition, Beijing, China 2008-2009
KALA Fellowship, Berkeley, CA, 2007.